PERSONAL WORK
3 X 3 MERIT AWARD WINNER
This piece started as a small doodle on my phone as I was flying into Philadelphia International Airport and saw a set of industrial towers dosed in steam. It inspired a sense of space, atmosphere, and loneliness in me as I wondered about the people who spent their lives in this odd, solitary building.
Completed while working as a designer at the University of San Francisco.
Winner: Bronze in the CASE Regional Design Awards, illustration category
Design and illustration for an article in the June 2019 issue of USF Magazine. This article dealt with the issue of student debt and how USF was taking measures to open doors to students.
CLIENT: PRIVATE COMMISSION
Private commission for a homebrewed-beer-themed wedding. The client wanted a wide variety of styles represented and asked that I include small allusions to the beer style’s historical background, ingredients, or flavor profiles. There are 20 styles in total including the Belgian tripel, barleywine, IPA, saison, witbier, and chocolate stout amongst others.
CLIENT: ST. ANTHONY MESSENGER MAGAZINE
ART DIRECTOR: JEANNE KORTEKAMP
This piece accompanied the short story “The Road to Providence” by Dianna Gravemen, a story about a young woman who loses everything in her life, picks up, and sets out for a new life in the West.
Completed while employed as a designer at the University of San Francisco
Several tight-turnaround illustrations to accompany coronavirus stories on the USF News website. This illustrations were for articles on preparation as a tool to stop pandemics and being prepared for the remote work life.
Illustrations were made to fit both website banners and social posts.
PERSONAL WORK
Accepted into the 2018 Society of Illustrators Los Angeles annual
SEATTLE WEEKLY
ART DIRECTOR: JOSE TRUJILLO
An illustration to accompany the cover story, “Alexa and the Dawn of So-What Surveillance” about Amazon and web-connected listening devices in people’s homes.
SEATTLE WEEKLY
ART DIRECTOR: JOSE TRUJILLO
Cover illustration for a story inmates serving a life sentence in Washington state with close to no hope of parole.
CLIENT: PHILADELPHIA MAGAZINE
ART DIRECTOR: ALYSE MOYER
Illustration for an article about combating a tough real estate market by taking a personal approach to reach out to potential sellers.
PERSONAL WORK
I’m interested in the juxtaposition of nature, landscape, and human artifacts. This piece explores that while prompting a sense of narrative background to the illustration.
CLIENT: FANTASY FLIGHT GAMES
ART DIRECTOR: TIM FLANDERS
Card and illustration for the Game of Thrones card game, with the rainbow sword and seven-pointed star of the book's Faithful Militant faction portrayed as a stylized stained glass window.
CLIENT: FANTASY FLIGHT GAMES
ART DIRECTOR: TIM FLANDERS
Card and package illustration for the Game of Thrones card game, featuring a stylized three-eyed raven as a ruined stained glass window.
CLIENT: NEW YORK TIMES
ART DIRECTOR: MINH UONG
Cover illustration for the Sunday Business section about the myriad of economic issues facing Rhode Island.
Client: A & J PUBLISHING
Completed while employed as Lead Designer at Scribe Inc.
Unused book cover for an adventure story about two young brothers in the forest.
Medium: Acrylic, graphite, charcoal
Shown at the Jinxed 2018 Heart Show wherein 100+ hand-picked artists are given a wooden heart and asked to create their own response to the theme.
CLIENT: SEATTLE WEEKLY
ART DIRECTOR: JOSE TRUJLLIO
Cover the the Seattle Weekly's 2015 Summer Guide.
PERSONAL WORK
CLIENT: THE NEW YORK TIMES
ART DIRECTOR: MINH UONG
Printed in the Sunday Business section for an article about how economists have historically been able to see beyond labels and borders, despite the assumption that they would be on the side of the upper class.
